Deus Ex MaschineĪpproaching Jam as an existing Maschine user can initially be a little confusing. Beyond that there's just a single USB connection that provides buss power and connection to a host computer. Connection wise, Jam features an expression input but ditches the MIDI I/O of the MkII/Studio.
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The only truly 'new' elements here are the touchstrips, which NI tell us have been designed fresh to be as responsive as possible. The only difference is its flat, rather than sloped, profile - but it does, come with a screw-on stand that angles the unit to sit flush with one of its siblings.Īs is standard with NI hardware, Jam feels well-built and durable. While this control layout is all new, the Jam hardware is the exact same dimensions as Maschine MkII. The main consequence of these changes is to move away from the sampler-style workflow of the original hardware towards one focused on 'performance' parameters, along with considerably deeper sequencing and arrangement capabilities.
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Create beats, chop up samples and waveforms with the MASCHINE's pads and controls then send them straight over to the Jam to be launched as patterns or grouped and prepared for a later performance.It also does away with the built-in screens, the functionality of which is replaced by a number of pop-up windows that appear on the computer screen in response to button presses on the hardware. The Jam is built to work seamlessly alongside all controllers in the MASCHINE hardware range, perfect synchronicity meets zero latency, intuitive control and un-told performance capability. A great tool for sweeping build-ups or break-downs in your live performances or to simply accent sections of your tracks. Save your current parameters by hitting the lock button, manipulate your sounds in real-time, then return to your original parameters by once again hitting the lock button.
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Each column is scene, each button down that column is a pattern which can be selected and triggered, build and perform your tracks in real-time using an efficient and accessible system easy to master.Īn excellent feature for exciting live performances is the Maschine Jam's ' Locking' ability. Working seamlessly with MASCHINE software, you can organise and trigger your clips using the Jams intuitive group system. The grid also provides fast access to your scenes, patterns and groups.
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To increase your production efficiency, the JAM has full transport controls including a D-pad and dedicated encoder wheel that integrate directly with MASCHINE software, allowing you to navigate through and find samples, instruments and effects when in browse mode. Each strips adjacent LED meter gives a clear indication of values and looks pretty great whilst the pad is in use.
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These strips can act as group faders, adjust parameters, integrate effects, play individual notes and even finger-strum chords in key on various scales. 'Keyboard mode' allows you to select your prefered scale and chord values before taking to the pads, which greatly optimises your writing process, paired up with the JAM's built-in arpeggiator it opens up a lot of creative options.Įight dual-touch Smart Strips with dedicated LED meters adds a game-changing element to the Maschine JAM that is seldom found on other control pads. The grid has a number of functions, foremost it provides you with a step sequencing platform with both piano-roll and gate modes, additionally, they work as responsive triggers when using the JAM as a drum pad or in keyboard mode. The JAM is an exceptionally good looking controller, not least because of its 8x8 multicolour click-pad matrix, one of the best presented 8x8 arrays we've seen of its kind.
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Designed to work perfectly with Native Instrument's MASCHINE software and an excellent addition to your Abelton Live setup. Native Instruments Maschine JAM overview by GAKThe latest member of the Native instruments controller family, the Maschine JAM is a production and live performance controller designed for hands-on sequencing and expressive stage performances.